April 6, 2026

H is for Hades

         Welcome to the April A to Z Blog Challenge!  Yes, I know I’m running ahead.  If you’re looking for the officially scheduled letter of the day, you can
find my Post for E here.
        
(My A to Z Blog Challenge theme this year is Beyond Pomegranate & Thorns, my new collection of short stories, poems, and art inspired by fairy tales, myths, and folklore, which is coming out this month!  All through April I’m sharing excerpts of art, stories, and poetry, as well as some reflections on the power of the traditional stories that inspired me.)
        The classical (Greek/Roman) myth of how Hades, god of the underworld, abducted Persephone, daughter of the goddess of harvest and fertility, has meant many things to many people.  I suggest you read my previous post about Persephone to see some of the range of interpretation and art inspired by the story, and if you need to read some various versions of the original myth, you can find them here.  As for my book, it includes two pieces of writing about the myth of Persephone, and they’re completely different takes on the story.  I wrote the poem first, in which I imagined the tale from the point of view of the Shades in the Underworld, bystanders who witnessed an injustice and failed to act.

     Three times we watch a seed to living lips,

     three times there is no cry, no warning, “Death.”

     We are no longer human and forget what we once were.

You can read the entire poem at my earlier post Persephone in Hades.
        My short story, on the other hand, came later after I began to think more about the personalities involved.  It’s from the point of view of Persephone, in which I’ve imagined her as a tough noir-style dame: a seductive, resourceful, manipulative, strong woman who knows how to get what she wants in a world not made for women, where you have to take matters into your own hands. 
     Most of the picture is in shadow, and if you want to know the whole story, you’ll have to look farther back.  Have you ever asked yourself what a grown woman was doing picking flowers all day?  Or for that matter, how a goddess could have been unaware of the implications of eating in the Underworld?  Of course you never asked.  No one ever does.  The party line is all innocent Maiden and pitiless brute, but there’s more to it than that…
        The thing about these ancient stories is that they’re not One Right Answer or one correct interpretation.  The reason they’ve stayed popular for so long is that they’re multi-layered and multi-faceted; every time you look at them from a different angle you see something else.  So there are a few traditional tales that have given rise to more than one re-imagining from me, and in those cases you should consider each piece to be independent: starting from the same point, but heading in a completely different direction.
        (As for this block print of Persephone, I tried to make it evoke a 1940s noir film poster.  I'm afraid that dramatic lighting is not my strong suit and I never get it exactly right, but at least I keep trying!)
        The moral of Hades is that if you see someone in trouble, be an up-stander!
        But also, things are not always as they appear.
        How do you feel about eating in the Underworld (or Faerie, which has similar mythology)?  Would you be able to resist that pomegranate?  Would you want to?


[Picture: Queen of the Underworld, rubber block print with watercolor by AEGNydam, 2025 (Image from NydamPrints.com).]

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