Early Spring

         It’s that time when Spring is shifting and stretching in her bed, and thinking about rising.  Sprouts of daffodils are pushing up, snowdrops are blooming, and buckets hang on the sugar maples.  There may be more snow to come, but the sprouts will keep sprouting, and soon the last snow will give way to rain and mud, and sunshine scattering itself in crocuses.  Here are a handful of relief block prints to celebrate.

        First up are “Seven Herbs of Early Spring,” looking as if they’re growing right up out of a snowdrift.  I don’t know the identities of these herbs and whether they have the same sort of resonance for people in Japan as daffodil sprouts and snowdrops have for me.  But they seem to be conquering the snow quite boldly.

        Another piece in which the snow still covers the ground is this view of maple sugaring.  These buckets are about full, so we might get a quart of syrup from all this.  I love maple syrup, and the sight of buckets on local trees always makes me smile.

        Here’s a March hare, along with primroses, violets, and daffodils.  We’re still pretty far from any of those flowers here, but March can shift quickly between winter and spring (and sometimes back and forth several times!)  For a little more about March hares, you can read my prior post about Fantasy Rabbits.

        The flowering trees in this next piece also place it a fair bit later in the season, but the grey color scheme seems about right for today.  I like how the grey has a soft texture, and how the distant windows and the white blossoms seem to sparkle.

        Finally, more color on a dark day.  Here’s one of those heavy, dark March rains, given rich color in a reduction block print in which not one of the umbrellas is the classic black.  There’s a lot to like about this piece, but one particularly interesting choice is the mix of colors where I wouldn’t have expected them: the facades of the buildings and the women’s hair.  But this, too, seems fitting for early spring, in which every touch of color is an interesting surprise!

        T.S. Eliot thought that April was the cruelest month, but I’d definitely go with March.  Still, all that exciting spring burgeoning is right around the corner, and each little early hint of it is a treat that I savor.

        For views of early spring by another of my favorites, Asa Cheffetz, see my post Spring Forward.

[Pictures: Seven Herbs of Early Spring, color woodcut by Kamisaka Sekka, 1909-10 (Image from Cleveland Museum of Art);

Maples, woodcut by Nick Wroblewski (Image from nickwroblewski.com);

March, linocut by Jenny Portlock (Image from jennyportlock.art);

Lake Kawaguchi in Spring, wood block print by Okuyama Gihachiro, 1953 (Image from Artelino);

London Rain, reduction linocut by Diana Croft (Image from Kevis House).]