As was her wont, Ursula K. LeGuin here expresses perfectly something that I had obscurely glimpsed in myself but not quite put my finger on until reading her sharp and lucid explanation. It needs no further comment.
Jealousy sticks its nasty yellow-green snout mostly into my life as a writer. I’m jealous of other writers who soar to success on wings of praise, I’m contemptuously angry at them, at the people who praise them — if I don’t like their writing. I’d like to kick Ernest Hemingway for faking and posturing when he had the talent to succeed without faking. I snarl at what I see as the unending overestimation of James Joyce. The enshrinement of Philip Roth infuriates me. But all this jealous anger happens only if I don’t like what they write. If I like a writer’s writing, praise of that writer makes me happy. I can read endless appreciations of Virginia Woolf. A good article about José Saramago makes my day. So evidently the cause of my anger isn’t so much jealousy or envy as, once again, fear. Fear that if Hemingway, Joyce, and Roth really are The Greatest, there’s no way I can ever be very good or very highly considered as a writer — because there’s no way I am ever going to write anything like what they write or please the readers and critics they please.
The circular silliness of this is self-evident; but my insecurity is incurable. Fortunately, it operates only when I read about writers I dislike, never when I’m actually writing. When I’m at work on a story, nothing could be farther from my mind than anybody else’s stories, or status, or success.
[Picture: The Horse and the Ass, wood engraving by Boris Artzybasheff, from Aesop’s Fables, 1933;
Quotation from essay “About Anger,” from No Time to Spare by LeGuin, 2017.]
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