Here are some quirky bits of SFF from Austrian graphic artist Moriz Jung (1885-1915). At some point I’d like to share some of his wood block prints, but until I can track down a few more images for those, these are lithographs. They were designed as post cards for the Wiener Werkstätte, and you can see that Jung had a whimsical but slightly dark sense of humor. His images of airplanes date from 1911, when airplane flight was still a novelty and a wonder… and still quite experimental and highly dangerous. He clearly had a grand time letting his sci fi imagination play with the possibilities of this new technology and how it might fit into the world. Imagine the airplane inadvertently discovering that the rainbow is in fact solid (as witnessed by a comical photographer), the airplane arrogating the divine role of Pegasus (aka the Aeroplegasus), the airplane allowing a man to reach the
lofty heights of the giraffes (and note that the pilot is an ape)…
lofty heights of the giraffes (and note that the pilot is an ape)…
Jung began designing postcards while himself a student at the Wiener Werkstätte in 1907, and these next two examples date from that period. Even cars were still quite new and exciting in 1907, and you can see that this idea of cutting-edge technologies interacting in amusing ways with the rainbow was a recurring one for Jung. Many of his ideas seem to me in the category of “tall tales,” which I think of as stories that include fantastical elements, but presented not as if they are caused by magic but rather as “plain facts.” Of course they’re really humorous exaggerations and embroideries on
possibilities. This last one is an excellent example of the type: “Variety Act Number 9: Aldo Mario Brasso, Artist of the Death Leap.” I tried to look up whether Aldo Mario Brasso was a real person, and if so what sort of actual leaping he did, but I could find nothing. Nor could I find anything about “Variety Act Number 11: Mac Bull of Philadelphia in His Frightful Loop-the-loop Ride in His Automobile.” The text goes on to give the car brand as Crash, tire brand Burstish, and general representation for Austria as Vienna Carinthian. (As Vienna is far from the Carinthian region, I assume this is a further joke.) So I suppose that Jung must have made them up entirely. I think he’s a lot of fun.
possibilities. This last one is an excellent example of the type: “Variety Act Number 9: Aldo Mario Brasso, Artist of the Death Leap.” I tried to look up whether Aldo Mario Brasso was a real person, and if so what sort of actual leaping he did, but I could find nothing. Nor could I find anything about “Variety Act Number 11: Mac Bull of Philadelphia in His Frightful Loop-the-loop Ride in His Automobile.” The text goes on to give the car brand as Crash, tire brand Burstish, and general representation for Austria as Vienna Carinthian. (As Vienna is far from the Carinthian region, I assume this is a further joke.) So I suppose that Jung must have made them up entirely. I think he’s a lot of fun.
Sadly, Jung was killed in World War I, like so many promising young men, so we cannot see what other wonderful things he might have imagined if he had had the chance.
[Pictures: Hindernis Regenbogen (Rainbow Obstacle), lithograph by Moriz Jung, 1911;
Der Aeroplegasus, lithograph by Jung, 1911;
Unblutige Jagd auf Giraffen (Bloodless Giraffe Hunt), lithograph by Jung, 1911;
Varietenummer 11: Mac Bull aus Philadelphia…lithograph by Jung, 1907;
Varietenummer 9: Aldo Mario Brasso, Todessprungkünstler, lithograph by Jung, 1907 (Images from The Met).]
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