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While selling out of these six prints, I carved another block, and made a solid start on carving yet another. I hope to print the first some time this week, and I have to decide whether to continue carving the second, or to save it to work on at my next show. It might be hard to wait that long because I’m pretty excited about this block, and the next show is a month away, so I’m thinking I’ll have to keep carving. I’ll just have to think of something else to work on in November at the Village Fair show. So despite managing to “get rid of” six pieces, I’ll be replacing them just as quickly.
Of course, one of the beauties of printing multiples is that I don’t really have to say a final farewell to anything: for every edition I print, I keep one, I give one to my parents, and I sell the rest. I can have my cake and eat it, too. It’s a good life!
[Pictures: Visitors at my ROS booth (photo by Amy Joyce);
Three Billy Goats Gruff, rubber block print by AEGN, 2007 (sold out);
Bookby-upon-Shelf, rubber block print by AEGN, 2016 (sold out);
Spear Thistle, rubber block print by AEGN, 1997 (sold out);
Sweet Briar, rubber block print by AEGN, 1997 (sold out);
Love, rubber block print by AEGN, 2015 (sold out);
Fair Winds, rubber block print by AEGN, carved c 1994, printed 2013 (sold out).]
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