In honor of Bastille Day, here are a few images of Paris. You may notice that there are no images of the Bastille - I looked, but found only boring engravings. You may also notice that there are no images of the most famous French landmark of all, the Eiffel Tower. That’s because I already did a post with relief block prints of the Eiffel Tower, and you can go back and see them there.
I begin with two views of Notre Dame, back and front. They have wonderfully different styles, Latour’s back being all bold shapes in strong black and white, and Zber’s front of the cathedral being skritchy and textured, and slashed all across by the falling rain. I like how he lets the carved texture of the background become stormy clouds. Latour’s sky, on the other hand is very calm, but it does interestingly show a second block of pale grey for added depth.
Next up is an iconic Paris café, with white-aproned waiter. I wonder about the shapes and textures in the window, almost abstract and not clear whether they represent the interior of the café, reflections in the glass, or what. I like that it doesn’t matter that I don’t quite know what I’m seeing; it works anyway.
And lastly, Sacré Coeur and Montmartre, lit up after dark. I’m not sure how many blocks, or even how many shades of grey ink went into this, but the effect is very dramatic. I like the contrast between the detailed foreground and the solid mass of background buildings, but with more detail again on Sacré Coeur for focus. And the layered fringes of chimneys are cute.
[Pictures: Notre-Dame Cathedral, wood block print by Alfred Latour, 1919 (Image from Jerry Martel);
Notre Dame, Paris, wood block print by Fiszel Zylberberg (Zber), 1936-41 (Image from ArtShik);
Aux Deux Magots - Paris, linocut by Géraldine Theurot, 2011 (Image from A Little Market);
Montmartre, woodblock print by Jun’ichiro Sekino, 1959 (Image from JohnnyBass10).]
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