In this first piece it’s pretty straightforward. The outlines of the buildings are carved in clear lines, the lit windows carved out to white. I like the way the glass windows reflect splotchy, wavy light instead of being solid white squares.
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Finally, I include one more sample of Jacquette’s nocturnal woodcuts, with a low vantage point instead of her usual high point of view. This is a Cleveland scene from the Cleveland Museum of Art and I had to include it because that’s where I’ll be next week. Goodness knows that all cities and industrial areas have their share of ugliness - trash, pollution, environmental atrocities, blight and waste… But at night, with the
lights shining and shimmering, it’s hard not to be moved by the beauty. Beacons and their glimmering reflections in the dark, lights that blazon, or beckon, or guide, or simply shine as if for the solitary joy of shining…
[Pictures: Chrysler Building Flanked by High Rise buildings II, woodcut by Yvonne Jacquette, 2009;
Filaments of Light, woodcut by Jacquette, 2000 (Images from Mary Ryan Gallery);
Bridges Over Cuyahoga River, woodcut by Jacquette, 1999 (Image from the Cleveland Museum of Art).]
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