Here’s another shift, from high-priced gallery art world to something more like the craft of wood block printing - an image in which the marks of carving are not hidden and the style looks homespun instead of slick and professional. It’s also a shift from seeing the apple as its own subject to seeing it as part of a story, an everyday object in the lives of everyday people. And isn’t that a miraculous thing?
[Picture: A for Apple, woodblock print by Mary Azarian from A Farmer’s Alphabet, 1981 (Image from artslice)]
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