A Wood Engraver's Alphabet should really be called "A Botanical Alphabet." Each letter is represented by a beautiful, detailed wood engraving of a plant, most of them being common garden flowers, with a few exotics filling things out. Unlike me, Brender à Brandis used only common names for alphabetizing; no scientific names. (But he did have to cheat pretty badly for X: foXglove. (Compare some other artists' attempts at X).)
Gerard Brander à Brandis is a Canadian, born in Holland. He's a gardener and orchidophile and has done several other books of botanical wood engravings, which I have not seen (although you can find some of the images on-line.) I feel a certain sense of connection with another artist who works to portray something so celebrated for colors in a medium that allows only for form and pattern in black and white. But of course his style is very different from mine.
I just love the detail and texture possible with wood engraving. Many of Brender à Brandis's pieces are almost lacy. Many of them remind me of Renaissance diaper patterns (no, that has nothing to do with nappies. A diaper is a repeated design woven into fabric. Maybe I need to revisit this one in the Words of the Month some time.) Anyway, what I mean is that many of the pieces in this alphabet are designed with an equal pattern all over instead of a single point of focus. The Rose is an example of that.
My favorites are usually the ones that have high contrast, though. I like it when there are areas of black and white instead of everything an even level of texture. I really love Morning Glory, for example.
[Pictures: Fireweed, wood engraving by Gerard Brender à Brandis, from A Wood Engraver's Alphabet, 2008;
Zinnia, wood engraving by Brender à Brandis, from A Wood Engraver's Alphabet, 2008;
Rose, wood engraving by Brender à Brandis, from A Wood Engraver's Alphabet, 2008;
Morning Glory, wood engraving by Brender à Brandis, from A Wood Engraver's Alphabet, 2008.]
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