
Inevitably the sleeping cat piece reminded me of Matisse's linoleum block prints, in which he carves only a few lines on his block. It must have taken only a matter of minutes to do the actual carving, but who knows how many years of preparatory sketches. I wish I knew whether Matisse drew a design first or just sat down and put blade to block. In any case, Matisse's aren't my favorite prints - in some ways I think they're a waste of the print medium, as they could just as well have been done with a brush or a pencil. On the other hand, it's fascinating to see just how far the medium can be pushed toward simplicity.
When I started looking around for block prints that express a whole idea with a minimum of fussiness, I ran into the work of Lee Chul Soo, a Korean artist born in 1954. (Go to Davidson Galleries for a biography and lots of other pictures. Thank you, Davidson Galleries! I especially like Shopping from 2003, but it isn't simple enough to qualify for this blog entry.) Lee Chul Soo does with block prints the sort of image that I often associate with Chinese calligraphy - those few simple strokes suggesting a whole world.
The simplest images can sometimes prompt the "I could have done that" response, but I know that for me, at least, it was a great and rare achievement to produce this sort of piece. Maybe that's why I admire the purity of vision that can translate our complicated world int0 its simplest essence.
[Pictures: Cat Asleep, rubber block print by AEGN, 1999 (sold out);
fronstpiece for Drawings - Themes and Variations, linoleum block print by Henri Matisse, 1943 (Image from Denis Bloch Fine Art);
Birds Flying Up, wood block print by Lee Chul Soo, 1998;
As You Sow, wood block print by Lee Chul Soo, 2003;
P.S. If you're in the USA, don't forget to vote today!
No comments:
Post a Comment