I had to take a cello in for minor repairs today, so I’ll make a virtue of it and share some cello relief block prints. Most importantly the cello is beautiful to hear, but it’s beautiful to look at, too, so it’s easy to make lovely prints of such a lovely instrument. First, my own, which I apparently haven’t posted before. This is a portrait of a cello at rest, but only for a moment. You don’t leave it propped on the chair like that unless you’re coming right back to play some more.
Secondly, a design of the scrolls of a cello and a violin by Martha Briana. This is a reduction print with lots of texture left in the various levels of inking. There’s no denying that the scrolls of the entire violin family are very pleasing.
And speaking of the entire family, this third piece is a four hundred year old wood block print of an early relative of the cello, from the book Syntagma Musicum by Michael Praetorius (Germany, 1571-1621). Although it certainly looks a lot like a cello, it actually took a number of developments to get us from this instrument to the modern cello. Perhaps the most evident difference in this image is that it has five strings! It’s also got a lovely decorative tailpiece and endpin.
Not until the final piece do we get to see someone playing. Felix Vallotton (Switzerland/France, 1865-1925) has an amazing way of allowing all his shadowed areas to run together into vast areas of black. I’m always suggesting to students (and myself) to consider that things show up best if they’re black on white or white on black, but here Vallotton has left his cello black on black with only minimal outlines. I like how the lack of detail in most of the piece is
balanced by the detail of the small clock and decorative bureau handles. I think the cellist looks like a proper intense Romantic, but his left hand’s fingers do look a little wobbly!
balanced by the detail of the small clock and decorative bureau handles. I think the cellist looks like a proper intense Romantic, but his left hand’s fingers do look a little wobbly!
Finally, if you still crave more relief block cello joy (and really, who wouldn’t?) you can revisit some previously-posted cello-themed pieces, notably these by Kunio Iizuka, Paul Beaver Arnold, Cyril Powers, and Ted Faiers. Enjoy!
[Pictures: Cello, rubber block print by AEGN, 2009 (sold out);
Violin and Cello Cuddle, reduction woodcut by Martha Briana (Image from Martha Briana’s web site);
Plate XXI from Syntagma Musicum by Michael Praetorius, 1618 (Image from International Music Score Library Project);
Le Violoncelle, woodcut by Felix Vallotton, 1896 (Image from the Van Gogh Museum).]
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