Today I printed the piece I began carving at my last show. It’s based on a photograph I took on a trip to Paris fifteen years ago, standing under the Eiffel Tower and looking up along one of the legs. I liked the way it seemed almost abstract, yet still actually depicted something, and I liked the way there were areas of black on white and areas of white on black.
While I was working on it I thought it would be interesting to see how other artists have depicted the iconic tower, and I found these two and a half block prints to keep mine company. The “half” is apparently really a lithograph, although it’s obviously in the style of Japanese wood block printing. It’s not entirely clear whether the original was a wood block print and the reproduction is a lithograph, or whether Henri Riviere never carved a block at all, but merely mimicked the look. In any case, I
love the way he’s obviously playing off of Hokusai’s Thirty-Six Views of Mt Fuji. I also think it’s super cool that the Eiffel Tower is under construction in this piece. It took almost two years to build, but it’s hard to picture a Paris with half a tower looming on the skyline.
And lastly, an image of an artist beholding the glory of the tower - much simpler, no twiddly bits, but utterly unmistakeable.
Indeed, the Eiffel Tower is so famous, so easily recognized, so ubiquitous an image, that I thought it would be fun to show it from an unusual, less recognizable view. (To see the block compared with the photograph I based it on, see Working from Photographs.)
[Pictures: Eiffel Tower, rubber block print by AEGN, 2015 (sold out);
From the series Thirty-Six Views of the Eiffel Tower, lithograph by Henri Riviere, 1888 (Image from The Blue Lantern);
The Eiffel Tower at the time of the Universal Exposition, wood block print by an artist whose name I can’t make out on the corner of the block, from La Nature, 1889 (Image from Elevator Systems of the Eiffel Tower);
Untitled woodcut by Helena Bochorakova-Dittrichova from the graphic novel The Artist on her Journey, 1930s (Image from National Endowment for the Arts).]
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