This summer my classes produced some particularly pleasing collagraphs, and I’d like to share a few.  For a refresher on the defi...

        The final section in Norman R. Eppink’s monumental 101 Prints: The History and Techniques of Printmaking is Children’s Processes...

        After Norman R. Eppink covers Relief Processes in his 101 Prints: The History and Techniques of Printmaking , he goes on to othe...

        In 1967 Norman R. Eppink (USA) published his monumental work 101 Prints: The History and Techniques of Printmaking , which consis...

        Raubdruckerin (“pirate printer”) is a project begun by Emma-France Raff in 2006.  Like the brass rubbings I featured in the last ...

        Brass rubbing is a particular form of relief printing in which, instead of inking the raised surface and laying paper onto the in...

        Unlike relief block prints, a monotype, as its name implies, is a one-off rather than a method of making multiples.  Generally it...

        One of the things that really allowed me to get going with rubber block printing some twenty years ago is the fact that it can be...

        This is the third summer I’m teaching printmaking, and I’m once again pleased with the kids’ work so far.  So I thought I’d use ...

        And finally, one last way to get plenty of color into a relief block print: Method 4.  Print your single block in black, then...

        Ink is not the only way to add color to a block print.  Simply printing on colored paper is enough to give an image some brightne...

        Sometimes a little touch of color just doesn't do the job.  Sometimes you want a full-color block print.  Then it's time fo...